{"id":25,"date":"2014-12-04T20:46:43","date_gmt":"2014-12-04T20:46:43","guid":{"rendered":"http:\/\/trevor.ucsd.edu\/a\/wp6\/?page_id=25"},"modified":"2025-09-14T15:16:57","modified_gmt":"2025-09-14T15:16:57","slug":"research","status":"publish","type":"page","link":"https:\/\/trevor.ucsd.edu\/a\/wp6\/research\/","title":{"rendered":"Research"},"content":{"rendered":"\t\t
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Perfect Pitch \/ Absolute Pitch \/ Pitch Circularity<\/h2>\r\n

Deutsch, D., Edelstein, M., Dooley, K., and Henthorn, T., and Lapidis, R. Absolute pitch is disrupted by a memory illusion, <\/span>Journal of the Acoustical Society of America,<\/span><\/i> 2021, 149 (4), 2829, <\/span>[Web Link<\/a><\/span>]<\/span><\/p>\r\n

Deutsch, D., Henthorn, T., and Lapidis, R. Illusory transformation from speech to song (Chinese translation from Journal of the Acoustical Society of America, 2011, 129, 2245-2252).\u00a0<\/span>Journal of Shenghai Conservatory of Music<\/span><\/i>, 2016, 4, 133-145,\u00a0<\/span>[<\/span>PDF Document<\/span><\/a>]<\/span><\/p>\r\n

Deutsch, D, Jiang, C., Henthorn, T., and Zhou, S. The tritone paradox among Chinese children aged 12 and 13. Proceedings of the International Conference on Music Perception and Cognition, 2014, August, [PDF Document<\/a>]<\/p>\r\n

Peng, G., Deutsch, D., Henthorn, T., Su, D., and Wang, W. S-Y. Language experience influences nonlinguistic pitch perception.\u00a0Journal of Chinese Linguistics<\/i>, 2013, 41, 447-467,\u00a0\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D., Henthorn, T., and Lapidis, R. Illusory transformation from speech to song.\u00a0Journal of the Acoustical Society of America<\/i>, 2011, 129, 2245-2252,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Dooley, K., Henthorn, T. and Head, B. Absolute pitch among students in an American music conservatory: Association with tone language fluency.\u00a0Journal of the Acoustical Society of America<\/i>, 2009, 125, 2398-2403,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Dooley, K., Henthorn, T. and Head, B. Absolute pitch among students in an American music conservatory: Association with tone language fluency.\u00a0Journal of the Acoustical Society of America<\/i>, 2009, April, 125, 2683, Portland.\u00a0[Web Link<\/a>]\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Diana Deutsch, Kevin Dooley, Trevor Henthorn and Brian Head. Perfect Pitch: Language Wins Out Over Genetics.\u00a0Media Release, Acoustical Society of America<\/i>, 2009, May,\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Deutsch, D., Le, J., Shen, J., and Henthorn, T. The pitch levels of female speech in two Chinese villages.Journal of the Acoustical Society of America<\/i>, 2009, April, 125, EL208,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Le, J., Dooley, K., Henthorn, T., Shen, J. and Head, B. Absolute Pitch and Tone Language: Two New Studies.\u00a0Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music, Finland<\/i>, 2009, 69-73,\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D., Dooley, K., and Henthorn, T. Pitch circularity from tones comprising full harmonic series.\u00a0Journal of the Acoustical Society of America<\/i>, 2008, 124, 589-597,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Diana Deutsch, Rachael Lapidis, and Trevor Henthorn, Media Release. The Speech-to-Song Illusion.Acoustical Society of America<\/i>, 2008, November,\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Lapidis, R., and Henthorn, T. The Speech-to-Song Illusion.\u00a0Journal of the Acoustical Society of America<\/i>, 2008, November, 124, 2471,\u00a0[Web Link<\/a>]\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Henthorn, T. & Deutsch, D. Ethnicity versus Early Environment: Comment on ‘Early childhood music education and predisposition to absolute pitch: Teasing apart genes and environment’ by Peter K. Gregersen, Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin (2000).\u00a0American Journal of Medical Genetics, Part A<\/i>, 2007, 143A, 102-103,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Hamaoui, K., and Henthorn, T. The Glissando Illusion and Handedness.\u00a0Neuropsychologia<\/i>, 2007, 45, 2981-2988,\u00a0[PDF Document<\/a>]\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion. Paper presented at the meeting of the.\u00a0Society for Music Perception and Cognition, Montreal<\/i>, 2007, Aug 1<\/p>\r\n

Deutsch, D., Dooley, K., and Henthorn, T. A new pitch circularity illusion.\u00a0Annual Auditory Perception, Cognition, and Action Meeting, Long Beach<\/i>, 2007, November,\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D., Henthorn, T., Marvin, E., & Xu H-S. Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period.\u00a0Journal of the Acoustical Society of America<\/i>, 2006, 119, 719-722,\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D. & Henthorn, T. Two issues at the interface between speech and music. (invited presentation).Journal of the Acoustical Society of America<\/i>, 2006, 120, 3167,\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D. Dooley, K. Dubnov S. Henthorn, T. & Wurden, A. Pitch circularity produced by varying the amplitudes of odd and even harmonics.\u00a0Journal of the Acoustical Society of America<\/i>, 2005, 118, 1949,[Web Link<\/a>]<\/p>\r\n

Deutsch, D. Hamaoui, K. Henthorn, T. The Glissando Illusion: A spatial illusory contour in hearing.\u00a0Journal of the Acoustical Society of America<\/i>, 2005, 117, 2476,\u00a0[Web Link<\/a>]\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Deutsch, D., Henthorn T. and Dolson, M. Speech patterns heard early in life influence later perception of the tritone paradox.\u00a0Music Perception<\/i>, 2004, 21, 357-372,\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D., Henthorn T. and Dolson, M. Absolute pitch, speech, and tone language: Some experiments and a proposed framework.\u00a0Music Perception<\/i>, 2004, 21, 339-356,\u00a0[PDF Document<\/a>]<\/p>\r\n

Deutsch, D., Henthorn, T., Marvin, E. and Xu H-S. Tone language and absolute pitch: Prevalence among American and Chinese conservatory students.\u00a0Journal of Acoustical Society of America<\/i>, 2004, 116, 2580,[Web Link<\/a>]\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Diana Deutsch, Trevor Henthorn, Elizabeth Marvin, and HongShuai Xu, Media Release. ‘Perfect Pitch in Tone Language Speakers Carries Over to Music’.\u00a0Acoustical Society of America<\/i>, 2004, November,\u00a0[Web Link<\/a>][Laylanguage version<\/a>]<\/p>\r\n

Deutsch, D., Henthorn, T. & Dolson, M. Bilingual speakers perceive a musical illusion in accordance with their first language.\u00a0Journal of the Acoustical Society of America<\/i>, 2000, 108, 2591,\u00a0[Web Link<\/a>]<\/p>\r\n

Deutsch, D., Henthorn, T. and Dolson, M. Absolute pitch is demonstrated in speakers of tone languages.Journal of Acoustical Society of America<\/i>, 1999, 106, 2267,\u00a0[Web Link<\/a>]\u00a0[Laylanguage version<\/a>]<\/p>\r\n

Diana Deutsch, Trevor Henthorn, and Mark Dolson, Media Release. ‘Tone Language Speakers Possess Absolute Pitch’.\u00a0Acoustical Society of America<\/i>, 1999,\u00a0[Web Link<\/a>]<\/p>\r\n

Computing Collaborations<\/h2>\r\n
Cummins K, Brumback T, Chung T, Moore R, Henthorn T, Eberson S, Lopez A, Sarkissyan T, Nooner K, Brown S, Tapert S. Acceptability, Validity, and Engagement With a Mobile App for Frequent, Continuous Multiyear Assessment of Youth Health Behaviors (mNCANDA): Mixed Methods Study. JMIR Mhealth Uhealth 2021;9(2):e24472. [Web Link<\/a>] DOI: 10.2196\/24472<\/div>\r\n
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Chafe, C., Weaver, S., and Henthorn, T. Evaluation of Network Music Technology on Public and PrivateNetworks. Panel discussion presented at the NOWNET ARTS CONFERENCE 2018, Stony Brook University, April 19, 2018.<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n

Rohlfing, T., Cummins, K., Henthorn, T., Chu, W., and Nichols, N.,N-CANDA data integration: anatomy of an asynchronous infrastructure for multi-site, multi-instrument longitudinal data capture, Journal of the American Medical Infomatics Association, July, 2014, 758-762. [Web Link<\/a>]<\/p>\r\n

Smarr, L., A. D. Thomas, et al. (2006). “Editorial: special section: iGrid 2005: The global lambda integrated facility.”\u00a0Future Gener. Comput. Syst.<\/span>\u00a022<\/b>(8): 849-851.<\/p>\r\n

Otto, Henthorn, Brock, Margolis & Dessen. CalREN-XD\/HPR WORKSHOP 2008. “CineGrid Testbed for Advanced Networked Digital Audio Post Production” [Web Link<\/a>]<\/p>\r\n

Invited Presentations<\/h2>\r\n

Career Design, University of San Diego, April 2016<\/p>\r\n

Digital Audio Composition, University of San Diego, April 2016<\/p>\r\n

Workshops\u00a0and Training<\/h2>\r\n

Musical Organics symposium, STEIM, Amsterdam, The Netherlands, May 2016<\/p>\r\n

Old Documentation<\/h2>\r\n

from the pre-2009 website<\/i><\/p>\r\n